Parodos The choir enters singing in the backseats of a car with a loudspeaker on the roof, while on the stage lies a cover in silk-velvet, with a lining of flax and an embroidered collar of dupion-silk. They step out to the left of the stage, but papposilneus is carried out by the two other satyrs.
CHOIR: Dear mockery of democracy; you have plunged into a pit of darkness; from there sluggish rivers of gloomy night belch forth an endless darkness It veils the face of the deep, where silent waters invoke again and again your untimely death. Dear mockery of democracy; by surfing on a “shield” you lost your breath. Untimely death!
A҉Ｕβα๔ ᗴ
(poem for the book “Divas” See:https://longetti.dk/divas)
“Miss Moore:”, you call. “Ohh shake me up, shake me in, pull me forth and drag me out, will you? I see how in between my
consciousness and actions, intentions does not come through. In loose groups they fly and leave naive, rough and half-finished marks. But I see it only in quiet moments at home, when the sun my skin and music the room.”
“Ohh, umhumhu humm.. ahh, ahh ahh, ohh, ohh ohh.., yeeeeeh, ihh, ih ihh, uhh, uh uuu..” she interrupts.
“In the entwinement of what is controllable and uncontrollable to us. Here;
make sense, here
we sense and here; avoid the void, the neo-void, the loss
of ourselves,” you finish.
She has stepped forth, and so the next step must come. Miss Moore has dragged herself from the edge of the seat to the floor of Delfi,
Malmö. She was for summoned to do a final act, a first act. How
would she Carry along? A dreadful, dying energy was tearing her/him/them apart from the rest. Ohh lord, how deep the scar between them? She, who does not cum in vain, who steps on broken glass with glee, who always answers your call in the forest. How could she Carry along? The night approaches her, and darkness prevails. Down and down into the abyss of mind no actions can prevent. No actions can prevent. In time, all will fall from grace. All but her. Kudsji Carry Moore, who never came to be, but always is in motion. Through the empty, white fog she shines deeper and darker than aether. Yes, she is gorging herself on your infected, benumbed life.
-Space of that which never came to be -Step of all that went wrong -Feel the stretch for that which no longer is -See actions that may come
Miss Moore hi§§ƨeƨᵴ; “Ohh I don´t know whymmmmooooo-uuuuhhh… I hear a sound of an abundance of rain… haman da aka ata rata deda paka sonda ata anvo osa tata rike eke balda ata rike didi asha da.”
𝓣нＥ ᒪ๏几𝔤 𝓝𝐀Ⓘㄥ𝐒 𝓼𝕥尺ᗴ𝕋cＨєѕ ŦĦᖇỖＵ𝐠ħ 𝓉𝓱€ 𝓐丨я, ¢𝕦𝓻𝓋єѕ 𝐚ᔕ ι𝒻 𝓈𝐡𝒆 ʷ𝒶𝓝ᵗŞ Ｓ𝕠ᗰ乇𝓣𝕙ᶤ𝔫Ꮆ ｅˡѕ乇.
“Cast the Seed into the Field of Night,” Kudsji sizzleᵴ. But you are blinded by light. With the words drawn inwards in cute marks, you call and call: “intentionally” “intensity” “ identity”! So desperate! But JC repeat until “you” are no more! Ease, ease, ease…
There you go. Deep breaths in crystal sea.
Basking in the tranquility of vacuum,
yes in the belly of the system, in heavy heavy heavy moonlight you lay. It slows each impulse down to indecision. The gloaming of your calling will release tensions. There be a frustration in your lazy acts of instant pleasures, and so warily you let go of the bouquet. But it will help your decapitated consciousness to float. Turbid water, intentions sinking.
“fike hata anda ata oro bata rata ande eke eke monda rasa da.” Her step-like vibrations absorb and reabsorb effectively the sense, as soon as it is produced. Miss Moore is twisted, you see. Yet, there is a stretch for something. A breach for someone. A reaching hand.
